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You consent to our cookies and privacy policy if you continue to use this site. Please see our Privacy Policy for details. By signing up you consent with the terms in our Privacy Policy. I am a music teacher. String Quintet E-flat major op. Click to Enlarge. Be the first! Write a Review. Detailed Description. String Quintet G major op. String Quintet in E-flat Major, Op String Sextet A major op.
String Quintet No. String Quintets, Op. String Quartet, No. Terzetto for two Violins and Viola Piano Quartet A minor op. Piano Quintet A major op. Samtliche Streichquintette. Duets for Violin and Viola, KV , Streichquartett h-Moll. String Quartets, op. String Quartet Nr.
String Quartets, Vol. VII, Op. Your Screen Name: optional. Review Title:. Rate this product's difficulty level:. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Hyperion offers both CDs, and downloads in a number of formats.
The site is also available in several languages. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Now, more than thirty years later and having meanwhile written a quintet with double bass, Op 77 , he embarked on another work for the same Mozartian—or Brahmsian—ensemble.
They gave performances of tribal dances, and sold herbal medicines. The apparent paradox is achieved by using notes of long value, and in the case of the chamber work the introductory bars they are not heard again when the first stage of the allegro is repeated anticipate the shape of the main theme to come. That theme begins pianissimo, but soon reaches a resplendent climax. The second subject predominates not only during the first part of the central development section, but also in the recapitulation—so much so in the latter that the start of the main theme is not heard at all until a very late stage.
When it finally reappears, it does so fortissimo, and in emphatic octaves. The middle section is followed not by a straightforward da capo, but by a reprise of the scherzo which offers two particularly happy inspirations: an unexpected excursion, beginning pianissimo, into the distant key of A flat major; and, at the close, an even softer reminiscence of the middle section with its melody now appearing in a major-mode transfiguration.
Unable to get home, he managed to arrange a "vacation" with his family in a tiny Midwestern village of Czech settlers: Spillville, Iowa. It is very strange here. Few people and a great deal of empty space. A farmer's nearest neighbor is often 4 miles off, especially in the prairies I call them the Sahara [where] there are only endless acres of field and meadow and that is all you see. You don't meet a soul here they only ride on horseback and you are glad to see in the woods and meadows the huge herds of cattle which, summer and winter, are out at pasture in the broad fields.
Men go to the woods and meadows where the cows graze to milk them. And so it is very "wild" here and sometimes very sad - sad to despair. First came the famous "American" Quartet, beautifully loaded with the pentatonic scales that infused so much of the music he was hearing.
Then, after listening to more music performed by visitors to the town said to be of the Kickapoo tribe, he composed the opus 97 Quintet. This melody returns first in the minor mode, then in the major, with faster rhythms as the movement gets under way in earnest, building to its first climax. Its light, dotted rhythms, echoing Algonquin drumming patterns, return throughout this movement as well as in the Finale.
The second movement, a scherzo and trio, begins, like the first, with a viola solo; but here it is a tricky rhythm played on a single note, an ostinato that continues to sound as melodic layers are added.
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